Продукт генетических экспериментов или ЧУЖИЕ?

Продукт генетических экспериментов или ЧУЖИЕ?

Plaque with elephant-headed warriors

Pegu, c. 1479.University of Oxford — Ashmolean Museum  

Drinking vessel: Date: ca. 4th century BCE – 2nd century CE Medium: Gold Uranium, Thorium—4Helium dating, Asia.


 

Siren:Date: c. 5th Century BCE Medium: Gold Size: 6 1/8” h, Asia.

Кронштейн с женщиной верхом на фантастическое существо, сделанное в Беграм, Афганистан, 1-2-го века

Bracket with a woman riding a fantastic creature, made in Begram, Afghanistan, 1st-2nd century

Полихромной расписной деревянный архитектурный Strut Керала на юге Индии, около 1800 изображающие мифических vyala, с выпученными глазами, разинутым ртом и разработать гриву, в воспитании положение с апсар верхом на спине 156 см.  высокий
A polychrome painted wood Architectural Strut Kerala, South India, circa 1800 depicting a mythical vyala, with bulging eyes, gaping mouth and elaborate mane, in rearing position with an apsaras riding on its back 156 cm.

Egyptian scarab intaglio gem

Shaft-hole axhead with a bird-headed demon, boar, and dragon, late 3rd–early 2nd millennium B.C.Central Asia (Bactria-Margiana)Silver, gold foil. The Metropolitan Museum of Art

Statue of a Crocodile with the Head of a Falcon, Egyptian, ca. 400-250BC, late Period-Early Greco-Roman.

 
The name Nergal, Nirgal, or Nirgali refers to a deity in Babylon with the main seat of his cult at Cuthah represented by the mound of Tell-Ibrahim. Nergal is mentioned in the Hebrew bible as the deity of the city of Cuth (Cuthah): “And the men of Babylon made Succoth-benoth, and the men of Cuth made Nergal” (2 Kings, 17:30). According to the rabbins, his emblem was a cock and Nergal means a “dunghill cock”. He is the son of Enlil and Ninlil.


Furniture elementNear Eastern, Mesopotamian, Assyrian. 10th–9th century B.C. Legacy dimension: H: 5.3 cm W: 1.9 cm x D: .8 cm Silver Museum of Fine Arts, Boston




The Babylonians believed that the demoness Lamashtu was responsible for still births and cot-deaths. A woman would have worn this quartzite stone amulet (now broken) during pregnancy and labour so that the fierce demons on it, and the incantation on the back, would scare Lamashtu away


A Lamassu (Sumerian: dlamma; Akkadian: lamassu), is a protective deity, often depicted with a bull or lion’s body, eagle’s wings, and human’s head. In some writings, it is portrayed to represent a female deity. A less frequently used name is shedu (Sumerian: dalad; Akkadian, šēdu; Hebrew: שד) which refers to the male counterpart of a lamassu.


MUSHUSSU — Babylon dragon of Chaos.


Figure of a Recumbent Lamassu Neo-SumerianMusée du Louvre

Assyrian, 883-859. The Brooklyn Museum


BreastplateNeo-Assyrian, 800-500 BCThe National Museum of Asian Art

Statuette of PazuzuAssyrian, beginning of the 1st millennium BCMusée du Louvre



Cheekpiece in the form of a winged human-headed bullca. 800 – 600 B.C.Iranian Princeton University Art Museum

Cheekpiece in the form of a winged mouflonca. 1000 – 750 B.C.Iranian Princeton University Art Museum

Molded plaque of a griffin genie (apkallu)late 9th – 7th century B.C. Neo- AssyrianPrinceton University Art Museum

Amulet of a winged goddessNubian, Napatan Period, reign of Piankhy (Piye), 743–712 B.C.Findspot: El-Kurru, Nubia (Sudan)Museum of Fine Arts, Boston

Amulet of a winged goddessNubian, Napatan Period, reign of Piankhy (Piye), 743–712 B.C.Findspot: el-Kurru, Nubia(Sudan)Museum of Fine Arts, Boston


Striding figure with ibex horns, a raptor skin draped around the shoulders, and upturned bootsPeriod: Proto-Elamite Date: ca. 3000 B.C. Geography: Mesopotamia or IranThis solid-cast sculpture is one of a pair of nearly identical images of a hero or a demon wearing the upturned boots associated with highland regions, his power enhanced by the mighty horns of the ibex on his head and the body and wings of a bird of prey draped around his shoulders. It was created at the time the first cities emerged in ancient Sumer. A new world view conceived of human figures in realistic terms, through accurate proportions and highly modelled forms with distinctive features — here, the triple belt and beard that define divine beings and royalty. The blending of human and animal forms to visualize the supernatural world and perhaps to express shamanistic beliefs, however, is more characteristic of the contemporary arts of Proto-Elamite Iran, where a remarkable tradition of metalworking developed during this period.Source: Metropolitan Museum
Mushussu (also known as Mushhushshu or Sirrush) is the Dragon of Babylon and one of two animals depicted on the Ishtar Gate. 






Лилит


На веревке аннунаки привели монстра к Эа.Нечем тут хвастаться, опять урод получился, не способный к продолжению рода, а оно, пожалуй, и к лучшему.


Человекоподобный монстр охотиться за звероподобным монстром.




Megiddo. An applique (12th Century BCE) showing a winged sphinx .
Кормящая мама-сфинкс)) В руках настольная лампа))


 

Стамбульский археологический музей

 


Berner Münster, Bern

Bronze and Silver. 1st-3rd Century ADRoman Imperial PeriodBronze decorative fitting, perhaps for a carriage or a boat: figure of Cupid emerging from a plant; his eyes and inside feathers are silver.Source: British Museum

Stone plaque of Narasimha slaying the demon HiranyakashipuKashmir, late 6th century — early 7th century AD
Ashmolean Museum, University of Oxford


Leonine headed spirit votive figure. 700-600 BCMade in Mesopotamia. Late Babylonian The British Museum

 

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это от не правильного ипользования конопли

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